© » KADIST
Jun Nguyen-Hatsushiba
Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001. The title already implies the cultural complexities about to be ironically unravelled: Ho Chi Minh is parodied and Okinawa (where this was filmed) was a battle site in Japan during World War II which then became an American training base during the Vietnam War. To a remix of James Bond movie tracks composed by Quoc Bao, no less than thirty divers in wet suits and full gear advance against the water resistance armed with cartridges of color.
© » KADIST
Sun Xun
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
© » KADIST
Sun Xun
Sun’s animated film 21 Ke (21 Grams) is based on the 1907 research by the American physician Dr. Duncan MacDougall who claimed the measured weight of the human soul to be twenty-one grams. Sun used this episode—which was not fully recognized by the scientific community—as a point of departure for his depiction of a dystopian world in which the narration of history and notion of time are interrupted. Because each frame was drawn by hand with crayon, it took Sun and his animation studio team a few years to complete this thirty-minute film of a surreal journey through mysterious cities, plagues of mosquitoes, broken statues, cawing ravens, waving flags, and flooded graveyards.
© » KADIST
siren eun young jung
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.
© » KADIST
siren eun young jung
Lyrics 1, 2, 3 is part of siren eun young jung Yeoseong Gukgeuk Project (2008–). The work closely follows first and second generations of Yeoseong Gukgeuk actresses, who later became an important source of inspiration for the artist. Formally, this genre of theater draws from Westernized aspects of traditional Korean music performance, as well as from adaptations of pansori , a Korean genre of musical storytelling, to create a staged version of traditional Korean opera.
© » KADIST
siren eun young jung
Drawing & Print (Drawing & Print)
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.
© » KADIST
siren eun young jung
Drawing & Print (Drawing & Print)
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.
© » KADIST
siren eun young jung
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.
© » KADIST
siren eun young jung
Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea. The radical and temporally border-crossing qualities of gender fluidity, and lineages of queer subversion within performative spaces, animate Deferral Theatre through a critical deconstruction of Korean history, tradition and gender norms. One particularly powerful scene depicts a young drag king performer tearing at their suit and tie as they lip-sync passionately to a song in English, while the frame lilts with an ecstatic languor, as if the operator of the camera were staggering feverishly.
© » KADIST
Nguyen 'Quoc' Thành
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
© » KADIST
Nguyen Trinh Thi
Landscape Series no. 1 presents landscape as a “quiet witness of history.” It began with searches of online archives of Vietnamese news-media, for images of figures in landscapes “pointing, to indicate a past event, the location of something gone, something lost or missing.” The uniformity is striking but the sequence is subtly structured: the typology hints at narrative progression, though of an uninformative narrative, lacking details.
© » KADIST
Nguyen 'Quoc' Thành
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
© » KADIST
Nguyen Trinh Thi
The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province. It begins with sound – perhaps a hammer, or a gong – the lack of image making its identification difficult. A landscape emerges of an open field where a farmer tends his grazing cow herd.
© » KADIST
Phan Thao Nguyên
On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina. The Japanese presence in Indochina lasted until the end of World War II and during the occupation, jute supplies from India were interrupted. Jute was used to make sacks as well as gunpowder, a crucial material for the war industry.
© » KADIST
Nguyen 'Quoc' Thành
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves.
© » KADIST
Diane Severin Nguyen
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
© » KADIST
Juan Araujo
Drawing & Print (Drawing & Print)
Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti. Ponti designed the Villa Planchart a private, modernist house in Caracas, Venezuela, which at the time it was built in 1956, reflected the emergence of a class increasingly globalized, both culturally and economically. Araujo’s replica of the book thus refers to the role and visibility of Venezuela in circuits of global cultural production.
© » KADIST
Jung Yoonsuk
Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China. The artist’s research began in 2016 when he encountered articles, and some dystopian images, about a “retired sex doll”, a spooky, deformed dummy with big breasts, that stood in an agricultural field backdrop of a high-rise apartment complex in Chengdu, China. Jung’s work explores the factory scene, the (mostly female) workers and their labor, the doll’s artificiality, and human-like eccentricities.
© » KADIST
Juan Obando
They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness. It’s a meta-narrative that uses the staged scenarios (as evidence) to talk about the variable politics (and mercenary capitalism) of the stock footage industry and the misinformation dilemma we’re facing with the arrival of AI technology. In a surprising reversal, a deepfake is used to tell the truth.
© » KADIST
Juan Capistran
The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources. Growing up in an African-American community in Los Angeles, Capistran has long been influenced by hip-hop culture. The photographs in this print document him surreptitiously breakdancing on Carl Andre’s iconic lead floor piece after the guards at the Los Angeles County Museum of Art have left the gallery.
© » KADIST
Jin Shan
Retired Pillar represents the death and deterioration of legacy of colonial Shanghai. The silicon Corinthian column lays horizontal upon its pedestal, inflating and deflating in the rhythm of difficult breathing, as if exhausted by its lifelong labor. Shan comments on the deterioration of the influence of French colonialism within Shanghai as well as the adoption of Western forms of architectural decoration as symbols of wealth and power.
© » KADIST
Juan Covelli
El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota. During the 19th and 20th centuries, the waterfall served as a national symbol that captured both the singularity of its geographical reference point, as well as the romantic experience of nature and immensity. The video installation arises from a detailed archive research into historic representations of Colombian landscape and reflection on their role in the present-day imaginary of the country and the wider world.
© » KADIST
Jon Rafman
Advanced Technology (Advanced Technology)
View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive. In contrast with other recent works that aim to use VR or AR to visualize the impact of climate change, Rafman’s work instead presents the rising sea as an almost anthropomorphized foe, within which strange human-like bodies lurk as the viewer is swept into a kind of watery hellscape. This strong element of fantasy leads the viewer to wonder what type of wish fulfillment is at play—what desire for the museum to be inundated, for the existing social order to be washed away by the deluge?
© » KADIST
Juan Araujo
Residencia Milan 1 is a painting of a house surrounded by lush forest. The image depicted is both photorealistic and creates the illusion of an unfolded piece of paper, with creases and discolorations. In referring to the circulation of images, the painting raises questions of a viewer’s relationship to the image of a beautiful house: as icon, wish, or standard of beauty.
© » KADIST
Juan Capistran
White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.
© » KADIST
Juan Capistran
The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami. From left to right, each bill is progressively folded up, step by step, into the shape of a gun. Both a scream and a whisper are capable of conveying the same content, if at drastically different decibels, the artist proposes.
© » KADIST
Juan Brenner
The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest. Establishing Spanish conquistador Pedro de Alvarado as a central figure, not only in the conquest of Guatemala, but also in the formation of a complex, segregated society, Brenner proposes a series of images that re-establish the lens through which to consider both a historical and contemporary Guatemala. Tonatiuh is a visual essay on the state of a country on the verge of failure and its incapacity to address its own history and learn from it.
© » KADIST
Hu Yun
This research-based artwork acts as a memorial to early twentieth century European exploration of China. An antique open suitcase reveals a pile of rubbings and an air-dried peony, while projected photographs of the Chinese landscape appear as a slideshow on the gallery wall. The artifacts refer to a 1908-1909 expedition of naturalists, missionaries, and colonists to the west of China, which ended abruptly with the death of one of the travelers by unusual circumstances.
siren eun young jung
With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...
Juan Araujo
- year born: 1971
- gender: male
- nationality: Spanish
- home town: Caracas, Venezuela
Yin-Ju Chen
- year born: 2011
- gender: female
- nationality: American & Taiwanese
Juan Capistran
- location: Los Angeles, California
- gender: male
- nationality: Mexican American
- home town: Guadalajara, Mexico
Diane Severin Nguyen
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Chen Chieh-Jen
- location: Taipei, Taiwan
- year born: 1960
- gender: male
- nationality: Chinese
- home town: Taoyuan, Taiwan
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Nguyen Trinh Thi
Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...
Christine Sun Kim
- location: New York, New York
- year born: 1980
- gender: female
- nationality: American
- home town: Orange County, California
Christine Sun Kim and Thomas Mader
Christine Sun Kim and Thomas Mader have been collaborating for the last 5 years, covering communication in a variety of formats such as recording an overnight shipment from Berlin to New York ( Recording Contract , 2013), compiling 24 hours of invited contributors’ studio time ( Busy Day , 2014), and using the arm game, a combination of body and face, in order to describe a series awkward situations ( Classified Digits , 2016)....
Ho Tzu Nyen
- location: Singapore
- year born: 1976
- gender: male
- nationality: Singaporean
- home town: Singapore
Juan Obando
As a Colombian who studied and now lives in Arizona, Juan Obando has a non-native perspective on the media-obsessed culture of the US...
Jonas Van and Juno B
Although Jonas Van and Juno B do not belong to a collective, this collaborative video reflects their individual practices and their complex subjectivities...
Jun Nguyen-Hatsushiba
- location: Vietnam
- year born: 1968
- gender: male
- nationality: Japanese-Vietnamese
- home town: Tokyo, Japan
Yao Jui-Chung
- year born: 1969
- gender: male
- nationality: Taiwanese
- home town: Taipei, Taiwan
Hu Yun
- location: Shanghai, China
- year born: 1986
- gender: male
- nationality: Chinese
- home town: Shanghai, China
Jane Jin Kaisen and Guston Sondin-Kung
Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...
Jin Shan
Jin Shan is an installation artist who uses humor, satire, and play to comment upon social and political power dynamics within contemporary China...
Jon Rafman
Jon Rafman’s practice over the past decade has been marked by in-depth explorations of digital culture...
Juan Brenner
Born and raised in Guatemala, photographer Juan Brenner spent ten years in New York City working in the fashion industry before returning to his home country in 2008...
Jung Yoonsuk
As one of the notable Korean artists of his generation working across contemporary visual art and documentary cinema, Jung Yoonsuk has created internationally recognized documentary films like Lash (2022), Bamseom Pirates Seoul Inferno (2017), Non-Fiction Diary (2013), and Hometown of Stars (2010)...
Juan Covelli
Juan Covelli uses technology as a medium;, striving to decolonize the museum through digital practices, he releases archives from institutional control for the sake of emancipation...
Nguyen Thai Tuan
Nguyen Thai Tuan was born in 1965, he studied at the school of Fine Arts of Hue where he studied propaganda art, which he got bored of very quickly...
UuDam Tran Nguyen
- nationality: Vietnamese
Tuan Andrew Nguyen
Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...
Hun Kyu Kim
Inspired by the tradition of Korean silk painting, Hun Kyu Kim crafts poignant allegorical pictures employing an almost limitless range of historical inquiry...
Tun Win Aung and Wah Nu
Wah Nu and Tun Win Aung, respectively born in 1977 and 1975, Yangon, Myanmar...
Nguyen Phuong Linh
Phuong Linh Nguyen’s multidisciplinary practice spans video, sculpture and installation...
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2000-2009
Juan Capistran
2002The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...
Jun Nguyen-Hatsushiba
2003Filmed underwater, this is the third video in Nguyen-Hatsushiba’s “Memorial Project” series which began in 2001...
Juan Capistran
2005White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...
Juan Araujo
Drawing & Print
2006(Drawing & Print) Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti...
Nguyen Thai Tuan
2008In the “Black Paintings” series, although the human body is only suggested, it plays an important role...
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2010-2019
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Jane Jin Kaisen and Guston Sondin-Kung
2010The Woman, The Orphan, and The Tiger begins with the sound of women’s voices describing histories of violence, of things repressed and silenced...
Yin-Ju Chen
Drawing & Print
2011(Drawing & Print) This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Tun Win Aung and Wah Nu
2011Tun Win Aung and Wah Nu initiated the series 1000 Pieces (of White) in 2009, as a way to produce objects and images as a portrait of their shared life as partners and collaborators...
Ho Tzu Nyen
2011The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Juan Capistran
2012The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Tuan Andrew Nguyen
2012This work presents the image of an immolated monk engraved on a baseball bat...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
Nguyen 'Quoc' Thành
2012A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi...
UuDam Tran Nguyen
2012Like many Asian countries, Vietnam has lost an immense amount of natural environment and rural landscape to economic growth and industrial development...
Juan Carlos Alom
2012In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana...
siren eun young jung
2013Lyrics 1, 2, 3 is part of siren eun young jung Yeoseong Gukgeuk Project (2008–)...
siren eun young jung
2013Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Phan Thao Nguyên
2013On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina...
Yao Jui-Chung
2013Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...
siren eun young jung
2015Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
siren eun young jung
Drawing & Print
2015(Drawing & Print) Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
Nguyen Phuong Linh
2016Set in the haunting space of an ex-colonial rubber plantation in Central Vietnam, Phuong Linh Nguyen’s film Memory of the Blind Elephant is a tender portrait of the complex economies of interspecies trauma and resilience in the face of continued extraction and destruction...
Christine Sun Kim and Thomas Mader
2016Indexes that either allow or inhibit the establishment of communication exist in both signed as well as spoken languages...
Yin-Ju Chen
2016Through a semi-fictional approach, Extrastellar Evaluations envisions a version of history in which alien inhabitants, the Lemurians, lived among humans under the guise of various renowned conceptual and minimal artists in the 1960s (Carl Andre, Mel Bochner, and James Turrell to name a few)...
siren eun young jung
Drawing & Print
2018(Drawing & Print) Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
siren eun young jung
2018Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea...
Jon Rafman
Advanced Technology
2018(Advanced Technology) View of Harbor by Jon Rafman mines the latent cultural imaginary surrounding climate change and society’s collective death drive...
Juan Brenner
2018The photographic series Tonatiuh (The Son of the Sun) by Juan Brenner is an in-depth visual study of current Guatemalan society from the perspective of miscegenation and the incalculable consequences of the Spanish conquest...
Yin-Ju Chen
2018Extrastellar Evaluations is a multimedia installation produced during Yin-Ju Chen’s residency at Kadist San Francisco in the spring of 2016...
Diane Severin Nguyen
2019To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
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2020-2029
Diane Severin Nguyen
2020To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
Jung Yoonsuk
2020Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China...
Nguyen Trinh Thi
2021The essay film How to Improve the World by Nguyen Trinh Thi takes us into an indigenous village of the Jrai people in the Central Highlands of Vietnam, in Gia Lai province...
Juan Covelli
2021El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...
Jonas Van and Juno B
2021Jonas Van and Juno B’s video work Kebranto is anchored by the figure of Boitatá, a snake that is part of the imaginary Guaraní communities that live between the current nation-states of Argentina, Brazil, Paraguay, and Uruguay...
Christine Sun Kim
2022Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Juan Obando
2023They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...
